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#Dxo photolab 2 does not create the xml file mac Batch mode - very flexible with excellent scale up features, fast. Only RAW developer I've seen that will allow multiple format output in the same batch session. Controlling exposure sectors with sliders - very intuitive. Copy and Pasting Settings - move all or groups of settings between photos. B&W development - absolutely the best black and white rendering that I have seen in any raw converter. What this program is not: It is not Expression Media, Aperture or Lightroom, it will not help organize your photos at all.
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#Dxo photolab 2 does not create the xml file upgrade.
I've downloaded LR's lens creation profile. But you can concentrate on your most-used ranges of f-stop and length.īut I would have first exhausted all possibilities for standard lens correction to happen. Just a practical and convenience matter of - for how many lenses, at how many focal lengths, at how many apertures, considering there are of the order of 9 exposures for each measured setup.
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It's not technically difficult to generate a profile yourself, using the free Adobe utility, provided you have the means to print the special targets at suitable size, and then to evenly light and shoot them. That said, there is absolutely no reason why one could not employ an Adobe lens profile method ANYWAY even in a case where the "silent" lens corrections have somehow been circumvented. You will have profiled your particular lens copy, mounted on your particular camera body, under your particular workflow with nothing generic or guesswork about it.īut I would have first exhausted all possibilities for standard lens correction to happen. Then: by putting the test shots used to profile the lens through the same workflow as for the real images that the profile will eventually be used on, the empirical loop is properly closed for the best possible results.
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(I don't know if other software offers a similar option to the end user?) But you can concentrate on your most-used ranges of f-stop and length. That said, there is absolutely no reason why one could not employ an Adobe lens profile method ANYWAY even in a case where the "silent" lens corrections have somehow been circumvented. That's true I was unclear what you meant about "baked in".
but not for most mirrorless systems where the profile is embedded in the raw files. Thanks for the tip, and indeed it works for most DSLR systems.
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Of course, even without this profile you would still have had all the manual lens correction and perspective tools available too, as well as Upright. Now you can use profiled correction in the exact same way as with Raw images, based on the exact same correction data - which works fine for geometric distortion, PROVIDED that the image remains completely uncropped, whole frame, as taken. The same statement will probably appear a number of further times lower down, but it seems to be sufficient to just edit its first appearance. Just edit the word "True" to "False" here. "" (only, with angled brackets not curly ones). A few lines down, you will see the statement This file can be edited in a normal text editor (such as Notepad). IIRC this needs to be saved (it helps to keep track, if you adjust the filename to suit) into the user's lens profiles area, which on Win8 isĬ:\Users\\AppData\Roaming\Adobe\CameraRaw\LensProfiles\1.0 Many lenses are supported only in Raw, among the installed or readily downloadable profiles.īut if you are prepared to "kludge" a bit (and assuming you are not prepared to go to the lengths of shooting and generating your own profile) - a copy can be saved of a given Raw specific profile, which has been changed in a text editor to artificially MAKE it apply to non-Raw images. The profiles presented are filtered accordingly, depending on whether an image is Raw or non-Raw. I can only answer that for Lightroom (plus ACR, which shares profiles with LR).Įach Adobe profile contains an internal marker which tells LR (or ACR) whether that is for correcting Raw files, or for correcting non-Raw files, taken with a certain lens (JPG, TIFF, PSD all qualify as non-Raw if I remember correctly).
Is there a way to have the distortion correction work in LR / CO with TIFF files ?
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